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Along with the musical changes, the band had also undergone a stylistic one, opting for sleek suits and gelled-back retro hairstyles instead of their jeans and leather jackets.

It would be tempting to dismiss this as the natural fatigue that audiences experience, especially when certain artists are talked about constantly, but the fact that some of it may have been grounded in echoes of truth made that impossible. Their lyrics have always had an edge of biting wit, the eye turned outward to comment on and criticize life’s most frustrating mysteries (love, often, being one of them). They - and Alex Turner in particular - have been called everything from “pretentious” to “self-aware”, and not in a complimentary way. The effects were quickly felt: the album (and/or songs from it) was nominated for many awards, including the Brits, the Mercury, the Grammys and NME.īut with a meteoric level of popularity comes the inevitable scrutiny, and the band has not been immune to that. AM was Arctic Monkeys’ graduation album, the testament to a different era in their lives. It was the culmination of a newfound confidence - these were no longer the frenetic, tenderfooted youths of early days, and it showed in the sophisticated way they presented themselves, in the swagger evident in every one of their stellar songs.

And in this sense, by the very fact that it was like a mosaic, the album stood completely on its own.ĪM (2013) is what undoubtedly broke the band into the mainstream, garnering them legions of new fans and a wider international audience, as it should have. It was a further change in sound, although less of an innovation than a fusing together of many different inclinations the band had already shown: their earlier albums’ urgency and unbridled energy, with sometimes musing and melancholy tinges, the sort Turner had shown in the soundtrack he wrote for the indie film Submarine (2010). If people expected Arctic Monkeys to continue Humbug’s tendencies with Suck It and See (2011), they were sorely disappointed.

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